Hellboy & The B.P.R.D. - The Seven Wives Club
Nick Devonald
Writer: Mike Mignola
Artist: Adam Hughes
Colours: Adam Hughes
Letters: Clem Robins
Since the
Writer: Mike Mignola
Artist: Adam Hughes
Colours: Adam Hughes
Letters: Clem Robins
Since the
Writer: Kelly Thompson
Artist: Elena Casagrande
Colorist: Jordie Bellaire
Publisher: Marvel Comics
Writer – James Tynion IV
Pencils – Carlo Pagulayan
Inks – Danny Miki
Colors – David Ba
riter – Chris Condon
Art – Jacob Phillips
Publisher – Image Comics
One
Written by: Ryan Parrott
Illustrated by: Marco Renna
Colors by: Walter Baiamonte
Color Assistance by: Katia
Story by: Donny Cates
Art by: Geoff Shaw
Story Edits by: Mark Waid
Colors by: Dee Cunniffe
L
Written by: Phillip Kennedy Johnson
Art by: Dexter Soy
Pencils for pages 46-48 by: Sergio Davila
Inks for pages 46-4
Writer: Gerry Duggan, Benjamin Percy
Artist: Stefano Caselli
Colorist: Edgar Delgado
Publisher: Marvel Comi
Writer: Jonathan Hickman
Artist: Mahmud Asrar, Leinil Francis Yu
Colorist: Sunny Gho
Publisher: Marvel Comi
Writers: Mike Carroll, Paul Cornell; Liam Johnson; Karl Stock; Cavan Scott
Artists: Nicolo Assirelli; Anna Readman; Aneke; Tom Newell; Paul Davidson
Writer: Kelly Thompson
Penciller: Gerardo Sandoval
Inkers: Victor Nava & Gerardo Sandoval
Colourist: Ch
Writer: Priest
Penciller: Georges Jeanty
Inker: Karl Story
Colourist: Matt Milla
Letterer:
Last weekend saw "Moon" and "Source Code" director Duncan Jones end weeks of speculation, tweeting a video teaser of his next project. As the camera drifts through the director’s workspace, he sits at his desk, dreaming of making a comic book movie. He mentions his love of British comic 2000AD and its wide cast of
CTG: What did comics mean to you as a child and what made you want to make them?
Chaykin: I was four years old. I had two older cousins who gave me a refrigerator box filled with comics books, and in those days, if you read comics you read everything. You didn't read a genre. Comics in those days covered everything from funny
CTG: You had a young, aspiring artist come up to you earlier -
Walsh: Yeah, I get that quite often at shows like this now. Young or aspiring artists asking for portfolio reviews, which I'm always happy to do because I did that when I was a young artist coming to shows like this. I was always very thankful or artists that would take the
CTG: What did comics mean to you when you were growing up, and what made you transition from loving them into wanting to make them?
Henderson: They were almost like STAR WARS in that they were an escape from just everyday life. I was into comics real early, maybe at six or seven I got my hands on a Superman comic and I got everything I