DC Pride Review
James Caudill
“Freedom is priceless. The freedom to be yourself.”--Dreamer
Writers
James Tynion IV
Steve Orlando
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Excalibur #21 Hellfire Gala Review
Ryan.L
Writer: Tini Howard
Artist: Marcus To
Colorist: Erick Arciniega
Letterer: VC's Ariana Maher -
X-Men #21 Hellfire Gala Review
Ryan.L
Writer: Jonathan Hickman
Artist: Nick Dragotta, Russell Dauterman, Lucas Werneck, Sara Pichelli
Colorist: Frank Martin, Matthew Wil -
Bounty Hunters #13 Review
Krownest
Author: Ethan Sacks
Artist: Paolo Villenelli
Colorist: Arif Prianto
Letterer: Travis La -
Iron Man #9 Review
Charles Martin
Writer: Christopher Cantwell
Artist: CAFU
Colourist: Frank D'Armata
Letterer: Joe Caramagna -
Heroes Reborn: Night-Gwen #1 Review
Charles Martin
Writer: Vita Ayala
Artist: Farid Karami
Colourist: Erick Arciniega
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2000AD #2235 Review
Gavin Johnston
Writers: Ken Niemand; Gordon Rennie; Laurence Rennie; Rory McConville; Dan Abnett
Art: Dylan Teague; Boo Cook; Dan Cornwell; Richard Elson; PJ Holden -
Rorschach #9 Review
James Caudill
“There’s meaning and there’s nothingness.”--The Kid
Tom King--Writer
Jorge Fornés--Interior and Cover Artist
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Wonder Woman #773 Review
Carlos R.
Afterworlds Part 4
Written by: Michael W. Conrad & Becky Cloonan
Art by: Travis Moore
Colors by: -
Hellions #12 Hellfire Gala Review
Ryan.L
Writer: Zeb Wells
Artist: Stephen Segovia
Colorist: David Curiel
Letterer: VC's Ariana Maher -
Swamp Thing #4 Review
James Caudill
“This is the power of the green.”--Alec Holland
Ram V--Writer
Mike Perkins--Artist
Mike Spicer--Color
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Young Hellboy: The Hidden Land #4 Review
Nick Devonald
Writers: Mike Mignola & Thomas Sniegoski
Artist: Craig Rousseau
Colours: Dave Stewart
Letters: Clem Rob
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For this third week of Halloween: The Gathering, I will be suggesting some awesome horror comics that lean slightly towards the bizarre side of the genre. I think that both of my recommendations this week are excellent Halloween season reading as they both have plenty of blood and violence. If blood and violence don’t get you in the spirit of Halloween, then I guess you’ll just -
For another week of this spooky season, I have some more horror comic book recommendations for you! I hope that last week’s suggestions helped get you into the Halloween spirit and I hope that this week’s do so even more. Last week’s comics were humorous, classic, fun, and easy to sit back and read. But this week, I’ve got two that are definitely more spooky and a -
Well, it is that time of year again! The time of year that you can freely enjoy all media from the horror genre and your friends and family -
Last weekend saw "Moon" and "Source Code" director Duncan Jones end weeks of speculation, tweeting a video teaser of his next project. As the camera drifts through the director’s workspace, he sits at his desk, dreaming of making a comic book movie. He mentions his love of British comic 2000AD and its wide cast of -
Fantastic Four#1
Story by: Stan Lee
Art by: Jack Kirby
Published by Marvel Comics
Cover Date: November 1961
Okay I have to admit that this review is going to come from a biased place. My hero growing up was Jack Kirby and that hero worship continues to this day. I’m not going to venture into the who did what debate between Lee and Kirby, but I’m very much on Jack’s side. The output of this man was incredible and I owe him a thanks because -
Mariko Tamaki is a Canadian writer primarily known for her graphic novel, This One Summer. The book was a breakout success, landing Tamaki numerous awards such as the 2015 Caldecott Honors award and even an Eisner. In 2016, Tamaki made her debut in mainstream comics with Hulk and Supergirl: Being Super. We were lucky enough to be
able to pick herCTG: What did comics mean to you as a child and what made you want to make them?
Chaykin: I was four years old. I had two older cousins who gave me a refrigerator box filled with comics books, and in those days, if you read comics you read everything. You didn't read a genre. Comics in those days covered everything from funny
CTG: You had a young, aspiring artist come up to you earlier -Walsh: Yeah, I get that quite often at shows like this now. Young or aspiring artists asking for portfolio reviews, which I'm always happy to do because I did that when I was a young artist coming to shows like this. I was always very thankful or artists that would take the
CTG: What did comics mean to you when you were growing up, and what made you transition from loving them into wanting to make them?
Henderson: They were almost like STAR WARS in that they were an escape from just everyday life. I was into comics real early, maybe at six or seven I got my hands on a Superman comic and I got everything I
