Nightwing #79 Review
Carlos R.
Written by: Tom Taylor
Art by: Bruno Redondo
Colors by: Adriano Lucas
Lettered by: Wes Abbott
Written by: Tom Taylor
Art by: Bruno Redondo
Colors by: Adriano Lucas
Lettered by: Wes Abbott
“Awww. We’re friends now.”--Gillian
Writer: Bryan Hill
Art: Priscilla Petraites
Publis
Writer: Benjamin Percy
Penciler: Scot Eaton
Inker: JP Mayer
Colorist: Matthew Wilson
Publish
“Please just let me be prepared.”--Kit
David Pepose: Writer
Luca Casalanguida: Artist
Matt Milla: Col
Written by: Julio Anta
Art by: Anna Wieszczyk
Colors by: Bryan Valenza
Lettered by: Hassan Otsmane-Elhaou
Writers: Kenneth Niemand; TC Eglington; Kek-W; James Peaty; Dan Abnet
Art: Tom Foster; Simon Davies; Dave Kendall; Mike Collins; Richard Elson
Writer: Al Ewing
Artist: Juan Frigeri
Colourist: Federico Blee
Letterer: Cory Petit
Publishe
Writer: Chip Zdarsky
Artist: Pasqual Ferry
Colourist: Matt Hollingsworth
Letterer: Joe Caramagna
Writer: Dan Watters
Artist: Caspar Wijngaard
Letters: Aditya Bidikar
This issue marks the end of the first story-arc
Writer: Donny Cates
Artist: Nic Klein
Colours: Matt Wilson
Letters: VC’s Joe Sabino
Th
Writer – Tom Taylor
Art – Andy Kubert
Colors – Brad Anderson
Letters – Clem Robins
Writer: Joe Hill
Artist: Gabriel Rodriguez
Colours: Jay Fotos
Letters: Shawn Lee
Following o
Parker gets bit by a spider. Parker gets bit by a spider. Parker gets bit by a spider. In Spider-man's origin, Parker always gets bit by some bloody radioactive spider. Then the spider dies. This origin has been retold and made modern a bunch of times. Little things change here and there but a few things are constant.
There’s always a radioactive spider. Sometimes where the spider originated from is made clear, sometimes it isn't.
Spider-Woman has had a long and complicated history that is difficult to boil down into a few paragraphs. The character is one of the few that has a completely different history when comparing the ultimate universe to the regular one. She was born from the initial ideology of Stan Lee, who saw the success of Spider-Man in the late 70’s and wanted to capitalize on
Idealism is not dead.
Joe Kelly is personally responsible for what I consider one of the most politically conscious, ethically challenging, and respectfully diverse comic runs ever written. I'm talking about his JLA run—a run that followed two of the hardest acts in the entire sequential-art medium: Grant Morrison and Mark Waid. Given
Animal Man is an uninteresting superhero. The character does not offer a whole lot to those interested in him. It is up to the writer of the character to make a stand, and flesh out the backstory of the B-list hero. The first writer to take a substantial leap with the character was Grant Morrison. The hero works in an