Batman #19
Batman #19 is an odd chapter in the context of the series. Scott Snyder is known for his giant eleven issue mega arcs of Batman, and this is one of the chapters that takes place in between the arcs. Writer Scott Snyder has called this arc his ode to the animated Batman series. While the issue has virtually nothing in common with the acclaimed television show, there are a few important parallels to be drawn in the comic. First and foremost is the fact this miniature Snyder arc is structured similarly to a two part arc of the aforementioned television show. The chapter has a definite beginning middle and small cliffhanger at the end. Where the comic book completely diverges from the show is the back up story towards the latter half of the issue.
James Tynion IV helms the backup story with the incredible Alex Maleev. Seeing the hyper gritty artwork of Maleev in the context of the DC Universe completely steals the show. The artist has this loose sense of line work that is drawn exclusively on a computer, which renders the art in a breathtaking fashion. The style in idea is something that should not work in the context of superhero comics. The execution of the art will change the mind of the reader within the first page of the tale. The story by Tynion is creepy and seems tailored exclusively for the talents of Maleev. Unfortunately the issue has barely enough space to get off of the ground here and will hopefully be expanded upon next month. The writing really shines in the dialogue between Batman and Superman. The character of Batman is really angry and does not warn to mourn with anyone, especially not Superman. For now this story is likable enough but hopefully it will be fleshed out more in subsequent issues.
The main story involves clayface as evident from the opening scene written by Snyder. One thing the writer has always excelled at is the narration of Batman himself. Without some of this context much of the impact of the stories would be lost on the reader. It is interesting to see curious minded people inject pieces of research into their writing to make it seem more personal. The scribe also makes the wise decision of introducing some minority characters. A confusing aspect in the story is the inclusion of Damian and what the means in the story arc exactly. At one point Batman is brooding, yet it is unclear why he is brooding.
Greg Capullo turns in some interesting pencils and renders Clayface in a perverse way. Much of the issue is talking heads which, is why readers are fortunate to have an artist like Capullo who can make them seem interesting. The artists drapes less shadows than usual as the this is not a particularly dark story. One sequence early on which involves Bruce Wayne shooting a gun bursts out of the page, and shows the genius of the penciller.
Even though this may not be the most important issue of Batman, it is still an enjoyable issue. Clayface is written very well along with great personal narration. This book features some of the best artwork that the industry has to offer with Alex Maleev and Greg Capullo. Watching these talented artists and writers at their prime is a sight to behold.
James Tynion IV helms the backup story with the incredible Alex Maleev. Seeing the hyper gritty artwork of Maleev in the context of the DC Universe completely steals the show. The artist has this loose sense of line work that is drawn exclusively on a computer, which renders the art in a breathtaking fashion. The style in idea is something that should not work in the context of superhero comics. The execution of the art will change the mind of the reader within the first page of the tale. The story by Tynion is creepy and seems tailored exclusively for the talents of Maleev. Unfortunately the issue has barely enough space to get off of the ground here and will hopefully be expanded upon next month. The writing really shines in the dialogue between Batman and Superman. The character of Batman is really angry and does not warn to mourn with anyone, especially not Superman. For now this story is likable enough but hopefully it will be fleshed out more in subsequent issues.
The main story involves clayface as evident from the opening scene written by Snyder. One thing the writer has always excelled at is the narration of Batman himself. Without some of this context much of the impact of the stories would be lost on the reader. It is interesting to see curious minded people inject pieces of research into their writing to make it seem more personal. The scribe also makes the wise decision of introducing some minority characters. A confusing aspect in the story is the inclusion of Damian and what the means in the story arc exactly. At one point Batman is brooding, yet it is unclear why he is brooding.
Greg Capullo turns in some interesting pencils and renders Clayface in a perverse way. Much of the issue is talking heads which, is why readers are fortunate to have an artist like Capullo who can make them seem interesting. The artists drapes less shadows than usual as the this is not a particularly dark story. One sequence early on which involves Bruce Wayne shooting a gun bursts out of the page, and shows the genius of the penciller.
Even though this may not be the most important issue of Batman, it is still an enjoyable issue. Clayface is written very well along with great personal narration. This book features some of the best artwork that the industry has to offer with Alex Maleev and Greg Capullo. Watching these talented artists and writers at their prime is a sight to behold.
A Look Inside
